Senin, 30 Juli 2012

Harlan Ritchie's Brief History of Cattle Type

Earlier this summer while I was in Michigan I had the opportunity to visit with two of my mentors, Dr. Harlan Ritchie and his wife Dr. Leah Ritchie. A few days later Matt Lautner emailed me and asked if I could help him find something really cool to publish in his online handbook for 2012. I immediately thought of a presentation by Dr. Harlan Ritchie that he developed at Michigan State University. I asked Leah if she would mind if we adapted it for this publication and she said go for it! If you missed it in the Matt Lautner online handbook, here is the presentation again.

A History of Types of Show Steers
Adapted from Dr. Harlan Ritchie’s “Historical Review of Cattle Type” presentation,
Distinguished Professor of Animal Science, Michigan State University

Purple banners are the goal of every person in the club calf business. Every young showman dreams of claiming their spot at the backdrop. Every breeder spends thousands of ours contemplating mating decisions to produce that perfect show steer. Every judge studies and rationalizes each decision in order to select winners that best fit the beef industry.

Since early cattle show competitions of the 1700s, these dreams and visions of purple banners have not changed. However, the cattle being bred to win these banners have drastically changed, evolved, and improved to meet the visual and conformations standards set by both breeders, judges, and the beef industry.

Early History of Cattle Breeding
Early cattle in the United States and Europe were used primarily for draft and milk. They were extremely large framed, late maturing, light muscled, and slow to finish. They were only used for meat consumption purposes when they were too old to work or produce milk.

During the mid 1800s, most cattle in the western U.S. were native cattle that were primarily Longhorn type. After the Civil War, dual purpose Shorthorn bulls were introduced out West and began crossbreeding with the native cattle to improve milk and meat production. Hereford bulls took over in the late 1870s. Angus came later. The Shorthorn, Hereford, and Angus breed associations were formed during 1881-1883 and Polled Hereford in 1900. The British breeds had found their place in the U.S. beef industry.

1867. “Black Prince.” Angus steer. Champion at prestigious Smithfield show at four years of age. Weighed 2200 lb. It was said,“a short man would need a ladder to see his back.”

1900. “Advance.” Grand Champion Steer at the 1st International Livestock Exposition in Chicago. He was 25 mos. old and weighed 1430 lb. The International began in 1900 and ended in 1975. The steer winners were very influential in setting type standards for beef cattle throughout this 76-year period.





































1915-16. “Nebraska.” The only record of a male winning as a bull and later as a steer. In 1915, this Angus bull was Champion at Smithfield. He was then castrated and came back to win the Smithfield steer show in 1916. Note that they were starting to put some straw underneath the cattle in photos to make them appear smaller-framed.





20th Century Cattle Breeding
Beginning in the early 1900s through the 1930s, cattle breeders gradually began moving towards breeding smaller framed cattle that were earlier maturing and thicker, in hopes that these cattle would be able to finish at a younger age and lighter weight.

1932. “Campus Model.” Grand Champion Steer, 1932 Michigan State Fair.
He weighed 1150 lbs

1932. “Texas Special.” Grand Champion Steer, International, 1932. He weighed 1240 lbs. at 19 mos.
From the mid-1930s to the mid 1950s, this trend greatly intensified, with breeders, judges, and packers putting a large amount of selection pressure towards producing the earlier maturing, smaller framed cattle. During this time, terms like “baby beef,” “compact cattle” and “comprest cattle” came into use. Show winners across the country were small in frame, usually only reaching the belt buckle of the exhibitor. Advertisements of the early 1950s featured small, “belt buckle cattle” that would classify by today’s standards of less than a frame score 1. One advertisement from 1949 advertised a certain animals as the “biggest bull at the show”…however he was only a frame score 2.0.

1945. “TO Model.” Grand Champion Steer, Denver, 1945.
He weighed 965 lbs. The TO cattle were cextremely small framed and early maturing, and became popular during the early 1940s and 50s.

Beef cattle historians know all too well how this trend ended: dwarfism.  Breed associations and breeders took extraordinary steps to deal with and eventually eradicate dwarfism. Cattle size and type tended to stabilize from 1955 to 1960. During the 1960s, breeders began to select for increased size, but were not able to make much progress with the bloodlines they were using at the time.

Following World War II, consumers began demanding grain-fed beef, thus starting the commercial feedlot industry. However, commercial feed yards were having trouble feeding cattle to an acceptable slaughter weight to grade choice without getting them overly fat. To address this issue, U.S.D.A. initiated yield grading in 1965, and the industry began searching for cattle that could be carried to desired slaughter weights without getting too fat. Enter the Charolais cross steer, who became very popular with breeders, feeders and packers for their rapid gains and high cutability.

1969: A Pivotal Year for The Show Steer Business
The cattle industry was forever changed in 1969. The Hereford, Angus, and Charolais associations began sponsoring type conferences in 1969 to evaluate the performance of cattle that varied in frame size within their respective breeds. These type conferences eventually led to the development of the new U.S. feeder cattle grades, adopted in 1979, which identify visual standards for small, medium, and large frame cattle. Many breed associations also revised their ‘ideal standards’ for frame size to update their standards from the smaller framed models of the 1960s.

At the 1969 International Show in Chicago, Dr. Don Good of Kansas State University selected Conoco, a Charolais x Angus steer, as the grand champion steer of the show. This made Conoco the first crossbred winner of a major steer show of modern times. He weighed 1250 pounds, quality graded Choice, and yield graded 2, and would still be considered outstanding today.
1969. “Conoco.” Grand Champion Steer, International. A Charolais-Angus crossbred steer, the first crossbred winner of a modern major shows.
That same year, Dr. Robert Totusek of Oklahoma State University selected “Great Northern” as the Grand Champion Angus bull of the International Show. Great Northern was a Canadian bull that was larger framed, trimmer, and heavier muscled than any Angus bull of the time.  The selection of these two winners at the biggest show in the nation helped set the new trend in cattle breeding.

Upward Trends in Frame Size Spread like Wildfire
In the early to mid 1970s, there were a number of outstanding champion steers exhibited at the major shows that produced great carcasses on the rail, aligning the show ring with the beef industry. However, size was beginning to get out of control at many steer shows.

1973. Champion Crossbred Steer, International. One of the largest champion steers of that era was this 1460-lb crossbred. Packers began to raise their voices against excessively heavy carcasses coming from cattle of this size.

Some steers of this time were exceptional in their cutability but were too lean and lacked body capacity. By the early 1980s, some show steers were taller than their exhibitors. Many champions at Denver and Louisville during the late 1980s were frame score 10.0 or higher.

1984. Grand Champion Steer, Houston. By the early 1980’s, some champion steers were taller than their exhibitors.

Selection for increased size spread like wildfire from 1960 to 1988. However, four significant events of this time led to the next type change, towards more moderate framed steers, which we still see today.

In January 1986, the National Consumer Retail Beef Study shows that consumers wanted beef that was leaner and lower in fat. In April 1987, Excel meat packers announced new specifications for buying cattle that put more emphasis on muscle thickness. Excel’s specs presented a 1,270 pound steer as being near ideal in his muscle thickness along with enough finish to grade low Choice. In May 1988, the National Beef Conference established recommendations for moderating frame size and increasing muscle thickness in beef cattle. In December 1991, the National Beef Quality Audit revealed numerous shortfalls in the U.S. beef carcasses.

1988. Grand Champion Steer, Denver
Following these recommendations from the industry, steer shows began to also reflect a change in their cattle type. In 1988, the Denver champion steer weighed 1,272 pounds and had an outstanding carcass with .35 inch back fat, a 15.0 square inch rib eye, U.S.D.A. Choice quality grade, and yield grade of 1.8. In 1993, the Houston Livestock Show implemented a slick shear steer show in which cattle could not have more than ¼ inch of hair. Other major shows, especially in the south, followed suit. By 1994, breed champions at Denver had down-sized from frame scores of 10.0 in the late 1980s to frame scores of 6.0 and 7.0.

2012. Grand Champion Steer, Houston  
Today’s Ideal Show Steer
Since 1988, the show steer industry and the entire beef industry has placed increased emphasis on carcass traits and structural soundness. Judges continue to select for cattle that are moderate framed and will finish at an acceptable weight with a high quality carcass. In 2012, the Grand Champion Steer at  Houston had a live weight of 1,288 pounds, graded U.S.D.A. Choice with a yield grade of 2. Though the industry has experienced its ups and downs (no pun intended), it appears that for the last 20 years, cattle type has stabilized with a common goal of  increased emphasis on optimal frame, optimal muscle, and high quality carcasses to meet the demands of the feedlot, packer, and consumer.

 -Adapted by Rachel Cutrer



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Circus Big Vector Pack
Circus Big Vector Pack 
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GraphicRiver Open Air Flyer Template

GraphicRiver Open Air Flyer Template
GraphicRiver Open Air Flyer Template
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Minggu, 29 Juli 2012

Amateur Photographer - 28 July 2012

Amateur Photographer - 28 July 2012
Amateur Photographer - 28 July 2012
English | 92 pages | HQ PDF | 80.00 Mb


Amateur Photographer is the world's oldest weekly magazine for photography enthusiasts. With its unique weekly format, it is the first for news and digital and film equipment tests. Regular features on reader portfolios, darkroom, digital, black & white and photographer profiles ensure all areas of photography are covered.

HDSLR Movie Maker - Spring 2012

HDSLR Movie Maker - Spring 2012
HDSLR Movie Maker - Spring 2012
English | HQ PDF | 56 pages | 28.7 MB


HDR and Photoshop (CS5) Second edition - Colin Smith

HDR and Photoshop (CS5) Second edition - Colin Smith
HDR and Photoshop (CS5) Second edition - Colin Smith
MPEG-4 (.mp4) | AVC 946 x 592 10fps ~500 kbps | AAC 44,1kHz 2ch ~64 kbps | 4 hr | rar | 1.2 Gb


HDR-High Dynamic Range is not just a trend. This is the future of photography. Together with the four-hour intensive course you will get new insights about the latest photographic technology.

HDR (High Dynamic Range) это не просто тенденция. Это будущее фотографии. Вместе с этим четырехчасовым углубленным курсом Вы получите новые представления о новейших фотографических технологиях.

Extending the Dynamic Range of any photograph

Intro to HDR
HDR Photoshop training

High Dynamic Range Explained. Understand the concepts behind HDR.

Split Neutral Density effect
HDR Photoshop training

Double process a photo to bring out the full detail in the sky and the foreground.

Masks and Adjustment Layers
HDR Photoshop training

Use adjustment layers and masks to paint on dynamic range and detail where you want it

Extending Shadow Highlight
HDR Photoshop training
Use the Shadow/Highlight adjustment to bring out the full dynamic range in a photograph without washing it out

Recover detail in ACR
HDR Photoshop training
Use the tools in Camera Raw to bring out the full detail in shadows and highlights
Pseudo HDR, Single image Tone mapping

Pseudo HDR Explained
HDR Photoshop training
What is a Pseudo HDR? How can we make a single image resemble a tone mapped HDR?

Pseudo HDR Toning
HDR Photoshop training
Using the CS5 HDR toning filter to simulate HDR from a single image

Pseudo HDR in Photoshop
HDR Photoshop training
Using the tools that have been in Photoshop for a number of years to simulate HDR from a single image

Pseudo HDR effect in ACR
HDR Photoshop training
Using Adobe Camera Raw/Lightroom to simulate HDR from a single image

Pseudo Bracketed images
HDR Photoshop training
Learn Colin’s cool trick to simulate bracketed photos from a single RAW file and then map shadows and highlights for a natural pseudo HDR appearance

Multi Image HDR

Camera Tips for Shooting for HDR
HDR Photoshop training
What to do and what not to do when shooting for HDR

Merge to 32 bit HDR
HDR Photoshop training
Creating a 32 bit file from separate bracketed photos. What Colin calls an HDR Negative

Photoshop 32 bit Overview
HDR Photoshop training
How to work in Photoshop in the 32 bit space.

Full workflow for Photoshop HDR
HDR Photoshop training
A dry run all the way from start to finish to gain an understanding of how to create HDR in Photoshop

Tone mapping in Photoshop HDR Pro (Local Adaption)
HDR Photoshop training
A more in depth look at tone mapping in Photoshop

Photoshop Natural looking HDR
HDR Photoshop training
How to create natural looking HDR images in Photoshop

Removing Ghosting
HDR Photoshop training
How to remove ghosting and control ghosting in Photoshop HDR

Dodge and Burn in 32 bit Space
HDR Photoshop training
How to make localized adjustments to the tone in a 32 bit image

Finishing touches – HDR, Camera Raw and Smart Objects
HDR Photoshop training
Colin’s secret technique for working with the tools in Adobe Camera Raw with a tone mapped image and some creative moves
Working with Photomatix

Photomatix Tone mapping
HDR Photoshop training
Using the Details Enhancer panel for a stylized tone mapping look

Photomatix Tone Compressor
HDR Photoshop training
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HDR Photoshop training
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Mnemonics

Memory is an amazing thing, allowing us to remember and recall events and information from previous dates. Often in our daily lives we have things that we need to remember. For example phone numbers, errands to run, people to see, places to be, things for work, etc. And although our brains are certainly capable of remembering all of the information we want, getting it to a state where it can be easily called-upon can be difficult.

This is where mnemonics come in. As researchers and scientists recognise that our brains are able to memorise and recall things with much more ease if the information is associated to something. Preferably to something that stands out. A memory technique that puts this to use is the 'memory palace'.

Mnemonics is a memory technique that converts information into pictures, sounds, smells, abbreviations, acronyms, initials, poems, or anything else to make the information easier for the mind to recall upon.

The ancient Greeks and Romans knew about mnemonic techniques, and realised that memory retention would be vastly improved with the application of these techniques. They would define this as the artificial memory. Artificial because it needs to be trained and developed using a range of techniques over time.

For example: To remember the colours of the rainbow (Red, Orange, Yellow, Green, Blue, Indigo, Violet), a very simple mnemonic phrase 'Richard Of York Gave Battle In Vain' would represent the colours of the rainbow. The first letter of each word representing a successive colour.

Mnemonics are used by millions of people around the globe to help them memorise and recall information. College tutors, scientists, taxi drivers, all-sorts,  people like you and I.

An example of an extremely simple mnemonic use I use, is to help me spell the word information. I know this sounds silly, but when I was younger I could never ever remember if you spelt information as information, with a 'n' at the start, or as imformation with a 'm' at the start. I don't know why but that spelling uncertainty never allowed me to remember how to correctly spell the word. The strange thing is however, I know if I was to write information as shorthand, I would spell it as info. So knowing I could do this, I write info before proceeding to write the rest of the word 'rmation' to make information. Just one of many examples that I have used mnemonics for. Mnemonics are useful for remembering people's names if you're a person who has trouble with names. 

Have a go and try and invent your own mnemonics, you may be surprised how well they work.

Sabtu, 28 Juli 2012

Video Copilot - Motion Design Pack

Video Copilot - Motion Design Pack
Video Copilot - Motion Design Pack | 1.26Gb

Models in obj/fbx file formats (no textures, not sure if there are any)
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A collection of 3D Models that are ready to use inside your favorite 3D program including the powerful Plug-in Element 3D!

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Photographer's Guide to Online Marketing and Social Media

Photographer's Guide to Online Marketing and Social Media
The Linked Photographer's Guide to Online Marketing and Social Media
Course Technology PTR | 2010 | ISBN: 1435455088 | 400 pages | PDF | 10,1 MB


The Linked Photographer's Guide to Online Marketing and Social Networking is a complete resource for photographers looking to improve their business through social media. This book provides a step-by-step process for getting a photographer's business online, and acts as a reference guide for the variety of online marketing options on the web. This one-of-a-kind guide is the key to making social media work for the photographer to improve their business!

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Nikon D3100 Guide to Digital SLR Photography

Nikon D3100 Guide to Digital SLR Photography
Nikon D3100 Guide to Digital SLR Photography
English | 2011 | ISBN: 1435459407 | 400 pages | PDF | 11,6 MB


The Nikon D3100 is Nikon's new entry-level dSLR, suitable for photographers new to digital SLR photography. It features a 14.2 megapixel sensor, full HDTV video, and ISO up to 12,800. DAVID BUSCH'S NIKON D3100 GUIDE TO DIGITAL SLR PHOTOGRAPHY shows you how, when, and why to use all the cool features, controls, and functions of the D3100 to take great photographs of anything

Introductory chapters will help you get comfortable with the basics of your camera before you dive right into exploring creative ways to apply D3100 file formats, resolution, aperture/priority exposure, and automatic exposure features. Beautiful, full-color images illustrate where the essential buttons and dials are, so you'll quickly learn how to use their D3100, and use it like a pro!

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The Digital Photography Book, Volume 4 by Scott Kelby

The Digital Photography Book, Volume 4 by Scott Kelby
The Digital Photography Book, Volume 4 by Scott Kelby
English | 2012 | ISBN: 0321773020 | English | 240 pages | PDF | 18.85 MB

Scott Kelby, author of The Digital Photography Book (the best-selling digital photography book of all time), is back with another follow-up to his smash best-seller, with an entirely new book that picks up right where volume 3 left off. It's even more of that "Ah ha, so that' s how they do it," straight-to-the-point, skip-the-techno-jargon stuff people can really use today, and that made volume 1 the world's best-selling book on digital photography.

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Each page covers a single concept on how to make your photography better. Every time you turn the page, you'll learn another pro setting, tool, or trick to transform your work from snapshots into gallery prints. If you're tired of taking shots that look "okay," and if you're tired of looking in photography magazines and thinking, "Why don't my shots look like that?" then this is the book for you.

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The Ultimate Guide to Digital Photography 4th Edition

The Ultimate Guide to Digital Photography 4th Edition
The Ultimate Guide to Digital Photography 4th Edition
English | 196 Pages | ISBN: 190723232X | HQ PDF | 107MB

The Ultimate Guide to Digital Photography 4 is ideal for any keen photographer, no matter what their level of experience - who wants inside information and ideas on how to enhance and retouch photos on a PC, and advice on techniques beyond simply pointing the camera at something and pressing the button.


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Sources - Start your business with us

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PSD | 30,5 mb

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Computer Arts magazine – Summer 2012

Computer Arts magazine – Summer 2012
Computer Arts magazine – Summer 2012
English | 116 pages | HQ PDF | 75.00 Mb

Computer Arts is the leading magazine for designers, illustrators and creative professionals. Every month in the magazine you’ll find a plethora of inspiration, creative software skills and industry advice, all aimed at making you a better – and more successful – designer. Our Output section brings you the world’s best design work, and our new section, The design manual, is your essential desk companion – a collection of advice, tips and opinion that will help you complete your real-world, daily design challenges in double-quick time. And our Creative Skills section is the only place to find cutting-edge software skills and techniques to improve your design workflow. Every issue we feature pro skills in Photoshop, Illustrator, InDesign, After Effects, Flash and more – making Computer Arts the ultimate guide to becoming a more versatile creative pro, and helping you undertake your creative challenges faster. We also bring you exclusive video tuition from our tutorial writers and Studio Life – a series of HD short films going behind the scenes at the world’s biggest agencies. It’s simple. If you want to be a better designer, you need Computer Arts.

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ActiveDen - XML Template V10 | XML | SWF | FLA | PHP | 110MB

This Fresh XML Template has been specifically designed to be easily customized with all pages driven by XML which means you can update the pages without opening the FLA .


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PSD - Modern architecture

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Piala Eropa 2012

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Euro 2012
claim token XUUC9NH67FK2

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Vector Map Europe Piala Eropa 2012

Vector Map Europe
For you all yang menyukai Vector Map Europe bisa langsung di download aja vector ini.. gw juga bingung kenapa gambar map vectornya cuman warna hitam doank.
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Euro 2012 shield background

Euro 2012 shield background adalah gambar dengan format file EPS, so sobat sebaiknya membukanya dan mengeditnya dengan menggunakan adobe Illustrator, tema dari desain ini adalah Piala
Eropa 2012, jika sobat yang ingin menggunakan gambar ini sebagai desain card, flater, template, brosur yang bertema piala eropa 2012 pasti sangat menarik hasilnya gak seperti postingan seo kontes gw 988BET Agen Bola Untuk Prediksi Piala Eropa 2012 yang posisinya sekarang uda gak tau dimana..hahayyyyyy...
Euro 2012 shield background
4 eps + preview | 37,11 Mb


Bendera Negara Eropa untuk Piala Eropa 2012

Bendera
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Vector Football Piala Eropa 2012


Demi menyebarkan spirit Piala Eropa 2012 gw coba untuk membagikan berbagai gambar yang menyangkut dengan Piala Euro 2012.
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Stock vector: Football creative cards – Euro 2012 #2
5 EPS + AI | 50,5 mb

Kumpulan Gambar Bertemakan Piala Eropa 2012

Gambar Bertemakan Piala Eropa 2012

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Free Kalender Piala Eropa 2012

Piala Eropa 2012

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Vector Piala Eropa 2012

Piala Eropa 2012

Vector Piala Eropa 2012 - Dapat nich gw sob vector keren Piala Eropa 2012, File downloadnya cuman 20 mb dan file downloadnya berupa file EPS jadi sobat membukanya menggunakan Illustrator,
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Jumat, 27 Juli 2012

Rick Sammon's HDR Secrets for Digital Photographers

HDR Secrets for Digital Photographers
Rick Sammon's HDR Secrets for Digital Photographers
Wil?? Publishing | 2010 | ISBN: 0470873000 9780470873007 0470612754 9780470612750 | 227 pages | PDF | 40 MB

This invaluable guide inspires and motivates you to capture and edit your own unique still-life images. Top photographer Rick Sammon shares his greatest HDR tips and tricks.

High Dynamic Range (HDR) photography is a process in which a photographer shoots multiple shots of the same subject at varying exposure settings and then "stitches" the images together with photo-editing software into a single photo that presents sharper color and focus than a single image. Author reveals his most amazing HDR tips, tricks, and techniques for creating the best possible HDR images.

• Learn the secrets of HDR by exploring dozens of before-and-after examples
• Discover how to avoid digital noise and chromatic aberrations
• Find out when you should NOT use HDR — and why
• Learn to process HDR images with Photomatix and enhance them even more with Adobe Camera RAW and Photoshop
• Explore the tricks possible with Exposure Fusion
• Build your composing and visualizing skills

Contents
Preface: A Walk Before the Run: Basic Photography Tips
About This Book
Introduction: Welcome to the Magical World of HDR Photography
Part I: To HDR or Not to HDR...That is the Question
Part II: Must Know Info
Part III: Photomatix: The Most Popular HDR Program
Part IV: Pseudo HDR Single Files with Photomatix
Part V: Exposure Fusion with Photomatix
Part VI: Enter Topaz Adjust
Part VII: Photomatix Meets Topaz Adjust
Part VIII: Expanding Dynamic Range in Photoshop
Part IX: Expanding Dynamic Range in Adobe Camera RAW
Part X: The Lucis Pro Approach
Part XI: Creating HDRs from Fast-Moving Subject Photographs
Part XII: Shooting HDR Panoramas
Part XIII: Converting HDRs to B& Ws
Part XIV: My HDR Gear: The Stuff of Magical Imagery
Part XV: Cool Web Sites
Post Script: Learn by Questioning
Index

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or

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Sources - Information Company
Sources - Information Company
2 PSD | 50,3 mb


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Toxic Type After Effects Templates Collections 7 - Repack

Toxic Type After Effects Templates Collections 7 - Repack
Toxic Type After Effects Templates Collections 7 - Repack | 1.8GB
Type: AE-Projects | Release Date: June 2012 | Publisher: Digital Juice | File Format: .djprojects

Text-centric AE animation templates that suit any motion design production. These easy-to-use After Effects templates are fully fleshed-out text-centric animations that suit a wide range of productions. They can be used to present your titles and text information in a powerful, dynamic manner, while maintaining the professional style of your project. You can build your project around them or drop them into an existing multi-segment production with minimal customization to add just the right touch of polished sophistication to your titles.

One of the weakest aspects of many video productions is the treatment of text and the integration of text with footage and other graphic material. This task can often get left to the last minute because there is so much else to do in producing the final piece. This is where Toxic Type Collection 7 comes in.

Much like its big brother, the ready2go Projects & Template Collection, if you want the exact look of a Toxic Type template, all you need to do is type in your own text to replace the placeholders, but as with ready2go, these projects are also supremely customizable when you need them to be. You can change colors and backgrounds, turn off layers, add your own new elements or even change the font used on the animated type.

Features:-

- More than 55 multipurpose Adobe After Effects Projects: The variety you need to handle any type of production that comes along
- Complete customization: Use the projects as is or take them apart and add your own look and feel. Whether you want to turn off a layer, change a font, adjust colors, add segments or increase the timing it’s in your complete control.
- HD & SD projects: Whether you work with HD or SD, you don’t have to worry because we’ve included project files in both formats
- Complete access: You have complete access to the project just as the animator designed it. Nothing is hidden or impossible to get at. Learn something new and improve your skills by analyzing how the projects are set up before customizing them.
- No third party plugins required: To make sure you wouldn’t have any compatibility issues, we only used effects and features that are already built into After Effects.
- 16 co-ordinated template sets
- Works with Adobe After Effects CS 4.0 & above
- Requires Juicer version 3.89 or above
- Compatible with both Windows and Mac


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Tutorial Photoshop CS6: Brushes and Painting

Tutorial Tutorial Photoshop CS6: Brushes and Painting
mp4 | AVC, 1280x720, 16:9, 30 fps, ~1500 kb/s | AAC, 44,1 KHz, 2 ch, 128kb/s | 1.16 Hr | rar | 1.45 Gb

Being able to create artistic images with Photoshop has never been easier with the new brushes and performance delivered in CS6. With the addition of Airbrush and Erodible tips, along with the mixer brush features, you can replicate real world art media and techniques inside of Photoshop. Whether you prefer pastels and oils, or watercolor and cartooning, Pete Collins, co-host of PhotoshopUserTV, will show you how to use the tools and techniques to begin to bring your vision to life.

1. Introduction (01:11)
Welcome to an in-depth look at the brushes and their role in Photoshop CS6
2. What is in a brush: brush options (06:40)
We will look at the various options and settings that give you so much flexibility when working with brushes.
3. 5 types of brushes (05:47)
What are the different brushes and how do they work. We will give youa quick overview of each brush type to get you started with more in-depth lessons on each brush to follow.
4. Brush styles part 1: Brush tip shape and shape dynamics (05:21)
Being able to modify the characteristics of your brushes to achive the looks you want is such a powerful tool. We will look at the first two major settings in the brush styles panel.
5. Brush styles part 2: Scattering, texture and dual brushes (05:16)
Continuing our look at how to edit brushes, we see how the next three options can dramatically change the look of our brush strokes.
6. Brush styles part 3: The rest of the story (06:01)
This leasson looks at the remaining options that can supercharge your brushes and bend them to your will.
7. Creating brushes (06:36)
Now that we understand how to edit our brushes, we will look at how easy it is to create our own.
8. Making clouds and static (06:40)
Now we will learn how to make big puffy cloud brushes and also discuss the new options for the static brushes.
9. Bristle brushes (05:08)
The first brush that we will look at in-depth… these brushes look and act like artistic paint brushes.
10. Erodible tip brushes (07:03)
New for CS6, these new tips allow you to create more realistic dry media looks such as pastels and charcoal. The ability to have the tips erode as they interact with the canvas is truly wonderful.
11. Airbrushes (03:40)
The second set of brand new tips for CS6… these will look and act just like airbrushing or spray painting. Get ready to be able to make some great new looks and textures.
12. Mixer brushes (08:41)
Although not new, mixer brushes can be daunting, we are going to look at the different settings and how they work, and hopefully inspire you to see what you can do with them.
13. Organizing your brushes (08:22)
Not the most exciting lesson title, but with all the new brushes and options, being able to keep up with and access the right tool at the right time is so important. You will learn how to create and manage brush libraries as well us seeing the potential of brush tool presets.
14. Conclusion (00:26)
Thanks for watching. Hope you learned a lot.

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Kamis, 26 Juli 2012

MakeUpInstrument 5.7 Build 575

MakeUpInstrument 5.7
MakeUpInstrument 5.7 Build 575 | 3,80 Mb

MakeUp Instrument - a set of tools for digital retouching portraits and to turn the geroinyusnimka in love with the cover of a glossy magazine. With the proposed application, the user will be able to expose a portrait of a cosmetic improvement, apply professional makeup and eliminate visible skin imperfections such as wrinkles, dark spots or scars.

Image Editor MakeUp Instrument delivers exceptional performance and ease of use. The developers call their product "digital cosmetic," and proposed a set of functions only confirms the appropriateness of this analogy. The user can easily guess the appointment of tools such as «Lipstick» (gubnayapomada) or «Eyeliner» (eyeliner).

The user will have access to the more familiar tools that allows to rotate and zoom the image, adjust brightness contrast, remove, and clone the fragments, remove "red eye" and perform other standard manipulyatsii.MakeUp Instrument will give skin a healthy look, blur the individual picture area, while others make it more clear.

Look down for it is important features:
Drag and drop to open photos in this photo editor.
Copy/Paste image from Clipboard.
PSD file (PhotoShop Format) support in Editing.
Multi Language support.
Save to computer as .jpg, .png, .bmp and other file formats.
And many more features...

Main menu includes these tools:
Lipstick
Eyeshadow
Eyeliner
Blusher
Glamour Skin
Shampoo
Toothbrush
Return to Original

Supported languages:
English / Bulgarian / Czech / Dutch / Farsi / French / Georgian / German / Hebrew / Hungarian / Italian / Korean / Lithuanian / Polish / Portuguese / Russian / Serbian / Spanish / Simplified Chinese / Traditional Chinese / Turkish / Vietnamese

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